{"id":156063,"date":"2012-09-07T13:51:36","date_gmt":"2012-09-07T12:51:36","guid":{"rendered":"https:\/\/wrk.btf.it\/prodotto\/trio-tommasi-zamboni-22-cd\/"},"modified":"2022-07-29T17:53:41","modified_gmt":"2022-07-29T16:53:41","slug":"trio-tommasi-zamboni-22-cd","status":"publish","type":"product","link":"https:\/\/btf.it\/en\/prodotto\/trio-tommasi-zamboni-22-cd\/","title":{"rendered":"Zamboni 22"},"content":{"rendered":"

Climate- atmosphere is what we say.\u00a0 Soul<\/em> with beautiful expression, is what they say in the modern jazz scene in the US.\u00a0 It\u2019s a necessary component for good jazz, as well as for swing.\u00a0\u00a0 But to achieve an organic atmosphere which is therefore vital and alive, a relationship of intentions and views, and a congeniality of thoughts are needed.\u00a0 When Tommasi was in Rome for a few days and had Santucci and Scoppa listen to the latest pieces he had composed, the three musicians ideas, aspirations, and agreement in taste appeared to exist right off the bat, and the idea to do an album together was born almost instantly.\u00a0 Now, with all things said and done, a certain climate seems to have been achieved, with no lack of a swing enriched with heat and energy.\u00a0 The two horn players, who up until now have played and recorded with a band from Rome, the Modern Jazz gang, have really and fully understood the spirit of the pieces written by Tommasi, and even if it\u2019s the first time they have met\u00a0 with the trio of the pianist from Trieste, they demonstrate that they have merged and combined into one, more than anyone had hoped for.\u00a0 The album was recorded by forging ahead and overcoming various obstacles like that of a geographical distance that they were not used to (the horn players reside in Rome, and the others in Turin, Bologna, and Lucca); but now that the project\u00a0 has been achieved rehashing\u00a0 the difficulties that they had to get past in order to finish the piece is no longer important (and nor is it well wished for).<\/p>\n

Amedeo Tommasi<\/strong>, piano player, was born in Trieste on December 1, 1935.\u00a0 After studying the piano privately under the guidance of classical maestros,\u00a0 he felt the fascination of modern jazz and so he dedicated himself to it with serious and intense passion.\u00a0 Having moved to Bologna where he still resides today, he soon matured his jazz in a hot and lively atmosphere of few amateurs who usually get together in a strange yet very well supplied record shop called the \u201cDisclub\u201d, whose preferences\u00a0 range from the trendy Bop by Bird and Diz up to the last experiences of Coltrane and his companions.\u00a0\u00a0\u00a0\u00a0 Having a very close relationship with this sort of climate, Tommasi finds, with his profound reasons, his way of playing, and above all, writing, which in this album are an exhibition of his personal character, as the author of intense, dramatic, and original compositions, even if they require a noteworthy commitment from the soloists for the intrinsic harmonic and rhythmical difficulties.\u00a0 Tommasi\u2019s trio, came to light after the radio transmission \u201cLa Coppa del Jazz\u201d (The Jazz Cup).\u00a0 In this album the trio represents itself in its best form with Tommaso and Mondini, and it is very appreciated in Italy both as an independent band and as a rhythm section (compare the recent albums recorded with the Belgian alto-sax player Jaques Pelzer and with those of Conte Candoli).<\/p>\n

Giovanni Tommaso, <\/strong>bass player, was born in Lucca in 1941, and is therefore the youngest and possibly the most talented out of these soloists.\u00a0\u00a0 After having studied the piano and bass for a few years, he ended up dedicating himself to the bass, and developing his particular jazz\u00a0 qualities which have helped him in already being one of the best bass players in Italy.\u00a0\u00a0\u00a0 Besides being a part of the Tommasi Trio, he is the bass player for \u201cQuintetto di Lucca\u201d (the Lucca Quintet), a refined group of young musicians, with whom he has recently been to the US, where he was able to observe the jazz scene up close and to noticeably improve his technique and musical knowledge.<\/p>\n

Franco Mondini<\/strong>, drummer, was born in Turin on September 14th, 1935.\u00a0 Despite his young age, he has already been validly included amongst the top Italian musicians for years.\u00a0 After having graduating in theory and solfeggio, he met Kenny Clarke in Paris who decisively impressed him and gave him precious advice.\u00a0 In Holland he studied quite a long time with Johnny Engels jr., one of the best European drummers.\u00a0 He has played with the best Italian musicians (he played with Nunzio Rotondo for one year) and foreign musicians (Phil Woods and Phineas Newborn appreciated him quite a bit).<\/p>\n

Francesco \u201cCicci\u201d Santucci<\/strong>, trumpet player, was born in Rome on April 21st<\/sup>, 1939.\u00a0 At the age of 17 he performed in a Jazz Festival in Rome, but his first experiences of any real importance were had a year later in the Modern Jazz Gang Quintet; a Roman octet which he is still a member of.\u00a0 He is forming a serious musical preparation with his trumpet studies and composition under the guidance of private maestros.\u00a0 In an opinion survey recently done by\u00a0 the readers of the magazine \u201cJazz di ieri e di oggi\u201d (yesterday\u2019s and today\u2019s Jazz) he resulted fourth among the Italian trumpet players.<\/p>\n

Enzo Scoppa<\/strong>, tenor sax player, was born in Rome in 1934.\u00a0 He is also part of the Modern Jazz Gang Quintet.\u00a0 He has done concerts and albums with Rotondo.\u00a0 He was classified as third in the same survey, and is one of the few Italian tenor players who follow the most recent trends and try to create a characteristic voice with their own instruments.<\/p>\n

This volume is entitled after \u201cZamboni 22\u201d not because this piece is retained\u00a0 to be the best or the most important, but for one reason, emotional so to say, which is because it was the first piece that Tommasi proposed to Santucci and Scoppa.\u00a0 Therefore it is the matrix of origin of the same album, even if on this occasion it was preferred to utilise the performance of the song done only by the trio.<\/p>\n

The four pieces performed by the quintet are marked with an asterisk.\u00a0 The other two are played by the trio.\u00a0 The album opens with Mulatto, inspired by the homonymous drama of Langston Hughes, especially the last part: the black man hunted down by the white men thirsting for vengeance.\u00a0\u00a0 It is about a composition made up of 12 bars, which goes beyond any descriptive expectation, demonstrated\u00a0 first by the rhythm and then by the horns, which accentuate the dramatic charge and sharp colours.\u00a0 The atmosphere briskly widens into a series of arpeggios of a restless romanticism that has gone awry, which the trumpet and tenor solos follow with the tenor solo being particularly complex.\u00a0\u00a0 After a nice piano solo, bass solo, and a chase by the base and drums, the composition\u00a0 finishes ex abrupto with a flared horn finale.<\/p>\n

Zamboni 22<\/em> in trio, consists of two parts of 20 and 16 bars respectively, with a very complex harmonic round, hidden by the apparent simplicity of the melody.<\/p>\n

Ballata in forma di Blues (Blues style Ballad)<\/em>, as the title indicates, is a composition of 24 bars, and is therefore a blues doubled in D major with some harmonic alterations.\u00a0 The piano solo is the first to express this sort of blues, then in comes the trio, and finally the muted trumpet takes over with one of its best solos, which the sax and piano follow, finishing off with a composition by the trio.\u00a0 This piece somewhat represents the spirit of the encounter between the two Romans and the Tommasi trio because the trio usually plays the piece in which the horns have their solos.<\/p>\n

Ballad for Micheline<\/em> is dedicated to Jaques Pelzer\u2019s little daughter for the friendship that links Tommasi and Pelzer.\u00a0 It is a slow and lyrical composition in E major in two parts of 8 and 12 bars respectively.\u00a0 The horns perform this piece alternating between one another.\u00a0\u00a0 The solos then take over starting with Scoppa, then Santucci with a muted trumpet, and then Tommasi.<\/p>\n

Autostrada del sole <\/em>(the sun motorway) is Tommasi\u2019s most recent composition dedicated to the important public work which is currently in progress in Italy.\u00a0 It is a very original composition in C, with an AABA\u2019A pattern, where the first two A\u2019s are each 8 bars, then B is 16 bars in A minor and in \u00be tempo, then A\u2019 is 8 bars in D and 4\/4, then A again in C.\u00a0 The piece gives a brilliant sample of the trio\u2019s qualities.<\/p>\n

Coltrane,<\/em> in homage to the saxophonist who our five musicians unanimously retain to be the most important personality in today\u2019s jazz, is a composition of 12 bars in D minor,\u00a0 whose reasons for interest consist of\u00a0 the rhythmic division where the accents are always off beat in a such a way to violently contrast the high notes played by the horns (a\u00a0 close-up effect of tension) and the low notes played by the piano and bass in unison (a dark and dramatic back ground effect) , in a suggestion of triple tempo, while it\u2019s actually in 4\/4.\u00a0 After the composition there is a nice solo by Tommaso on the bass, then, with a Cuban background, Scoppa, Santucci, and Tommasi all improvise with Mondini at the end who does a great\u00a0 solo that\u2019s full of energy.<\/p>\n

Umberto Santucci<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

1960 Italian all-star jazz session. CD edition.<\/p>\n","protected":false},"author":1,"featured_media":7576,"template":"","meta":{"_acf_changed":false,"_uag_custom_page_level_css":"","advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":""},"product_brand":[],"product_cat":[31889,31813],"product_tag":[40681,40638],"class_list":["post-156063","product","type-product","status-publish","has-post-thumbnail","product_cat-jazz-cd-en","product_cat-jazz-en","product_tag-afro-cuban-jazz-en","product_tag-latin-jazz-en","pa_artista-trio-tommasi","pa_format-cd-en","pa_label-edizioniishtarrearward-en","first","instock","purchasable","product-type-simple"],"acf":[],"yoast_head":"\nTrio Tommasi - Zamboni 22 \/ CD - Btf Shop<\/title>\n<meta name=\"description\" content=\"Buy Zamboni 22, Tommasi Trio, Jazz\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/btf.it\/en\/prodotto\/trio-tommasi-zamboni-22-cd\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Trio Tommasi - 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CD edition.","featured_img":"https:\/\/btf.it\/wp-content\/uploads\/2012\/09\/rw116_661px.jpg","coauthors":[],"author_meta":{"author_link":"https:\/\/btf.it\/en\/author\/admin_wrk_btf\/","display_name":"admin"},"relative_dates":{"created":"Posted 14 years ago","modified":"Updated 4 years ago"},"absolute_dates":{"created":"Posted on 07\/09\/2012","modified":"Updated on 29\/07\/2022"},"absolute_dates_time":{"created":"Posted on 07\/09\/2012 13:51","modified":"Updated on 29\/07\/2022 17:53"},"featured_img_caption":"","tax_additional":{"product_brand":{"linked":[],"unlinked":[],"slug":"product_brand","name":"Brands"},"product_type":{"linked":["<a href=\"https:\/\/btf.it\/en\/?taxonomy=product_type&term=simple\" class=\"advgb-post-tax-term\">simple<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">simple<\/span>"],"slug":"product_type","name":"Product type"},"product_visibility":{"linked":[],"unlinked":[],"slug":"product_visibility","name":"Product 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