2008 is the year of \u201cRituals\u201d, which confirms the multifaceted talent of the artist and instrumentalist from Bari. Recorded between the end of 2005 and the October of 2007, this work first of all develops around the historical faithful team which follows the artist in the live shows. Here we find again Pietro Lussu, Pietro Ciancaglini, Fabrizio Bosso, Lorenzo Tucci and Daniele Scannapieco, with whom Nicola elaborated lots of tracks contained in the album. Afterwards the band has been flanked the other friends of theirs, Gianluca Petrella, Gaetano Partipilo and Till Bronner (the same line-up of \u201cOther Directions\u201d). This album grew up through several production phases, and shows a sharp appearance, thanks above all to the love for both the overseas and European jazz.<\/p>\n
The Afro kind of Jazz is celebrated with the participation of Greg Osby and Michael Pinto. The first one is a talented alto sax musician and one of the gurus in the New York jazz scene, resident in the \u201croaster\u201d of the Blue Note for twenty years; the second one instead is a vibraphone musician born in New Jersey, a kind of rising star who grew up at the Berklee School of Music. As opposed to the overseas scene, the melodies and the feelings typical of the European school are demonstrated strongly through the energy and taste typically expressed in the north of Europe, particularly in Scandinavia: Timo Lassy and Teppo Maikinen, already famous in their home country, Finland, and highly considered in Italy because of their participation on the Five Corners Quintet’s album, respectively as a saxophonist and a drummer.<\/p>\n
The utilization of the voices gives us great artistic importance and depth. These voices belong to Chiara Civello and Alice Ricciardi and express all the warmth and intensity typically Italian.
\nA black kind of vocalism is expressed differently by Kim Sanders, a sophisticated Berliner soul singer. For the first time in a Nicola Conte’s album we find some male voices, as well as those of the newer and original ones of the international market. Jos\u00e8 James, a singer from New York who has been acknowledged by the European media thanks to the intuition of the famous dj Gilles Peterson. Jos\u00e8 James takes care of the great singer’s past tradition, those big names like Joe Williams, Nat King Cole and Mark Murphy, but using a timbre similar to the one typical of Andy Bey’s voice of the first years. Another fascinating voice is Philippe Weiss’ one, who gave us a memorable performance in “Caravan”, one of the most famous Duke Ellington’s pieces which, together with “Macedonia” by Dusko Gojkovic represents the unique unoriginal compositions of this work.<\/p>\n
“Rituals” signals a switch in Nicola Conte’s artistic career, further developed thanks to his effort in the creation of the songs and lyrics of the record. Just as it happened in the previous album, also here we find references to the literary culture dear to Nicola which helped him finding inspiration during the writing phase.<\/p>\n
Among the poet’s lectures which influenced the lyrics we find those of Dylan Thomas and the American Langstone Hughes. There are some pieces in the album which were inspired more than the others by the literature of these two writers.<\/p>\n
The first one is “Like Heavens In The Wind”, whose lyrics were performed by Jos\u00e8 James. His words are accompanied by the wind instruments with Till Bronner and Sandro Deidda, a valued musician from Campania who is present in seven pieces of the album. The other two songs in question are “I See All Shades Of You”, with Alice Ricciardi’s classical interpretation, and “The Nubian Queens”, where the drumming by the Finn Teppo Maikinen leaves immediately its mark. The solos by Fabrizio Bosso and Timo Lassy seems to be unbreakable till the end of the song.<\/p>\n
Another innovation immediately perceptible listening to “Rituals” is the compositive form, the colours, the feelings and the romantic mood which are expressed through the blue notes of the guitar played by Nicola Conte (here as an instrumentalist). Among the most famous great historical instrumentalists of the past Nicola Conte is influenced by Barney Kessel, Jim Hall, Wes Montgomery, Grant Green, Pat Martino, Gabor Szabo, Kenny Burrell.<\/p>\n
Great artistic conceptions which still promise us future new productions of this great Italian artist.<\/p>\n
The vinyl consists of a double LP containing some tracks of the CD plus two unreleased pieces and an alternative version of\u00a0 \u201cBlack Is The Graceful Veil\u201d.<\/p>\n","protected":false},"excerpt":{"rendered":"
A milestone in Nicola Conte’s career, released in 2008.<\/p>\n","protected":false},"author":1,"featured_media":184295,"template":"","meta":{"_acf_changed":false,"_uag_custom_page_level_css":"","advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":""},"product_brand":[],"product_cat":[31889,31813],"product_tag":[40643,40649,40638],"class_list":["post-156353","product","type-product","status-publish","has-post-thumbnail","product_cat-jazz-cd-en","product_cat-jazz-en","product_tag-bossa-nova-en-2","product_tag-contemporary-jazz-en","product_tag-latin-jazz-en","pa_artista-nicola-conte","pa_format-cd-en","pa_label-edizioniishtarschemarecords-en","first","instock","purchasable","product-type-simple"],"acf":[],"yoast_head":"\n