{"id":167247,"date":"2021-10-15T11:34:54","date_gmt":"2021-10-15T10:34:54","guid":{"rendered":"https:\/\/wrk.btf.it\/prodotto\/steve-lacy-straws-lp\/"},"modified":"2022-10-07T15:10:39","modified_gmt":"2022-10-07T14:10:39","slug":"steve-lacy-straws-lp","status":"publish","type":"product","link":"https:\/\/btf.it\/en\/prodotto\/steve-lacy-straws-lp\/","title":{"rendered":"Straws"},"content":{"rendered":"<p style=\"text-align: left;\" align=\"center\"><strong>At long last, after remaining out of print for decades, the Milan based imprint, Dialogo, dives into the legendary catalog of Cramps, bringing forth the first ever vinyl reissue of Steve Lacy\u2019s LP, &#8220;Straws&#8221;, issued as the sixth instalment of the label\u2019s DIVerso series in 1977. Truly singular in the legendary American saxophonist\u2019s discography &#8211; featuring stunning solo excursions and dialogs with himself &#8211; it remains one of the great documents of 1970s improvisation, and is as engrossing, creatively riveting, and as ahead of its time today as it was when it was laid to tape. Complete with original liner notes penned by Lacy himself, it\u2019s not to be missed!<\/strong><\/p>\n<p style=\"text-align: left;\">\n<p><strong>CRAMPS RECORDS REISSUES SERIES \/ DIV<em>erso<\/em> N. 6<\/strong><\/p>\n<p><span style=\"font-weight: 400;\">I can&#8217;t explain my work in <\/span><i><span style=\"font-weight: 400;\">words<\/span><\/i><span style=\"font-weight: 400;\">. For me, the music explains itself in <\/span><i><span style=\"font-weight: 400;\">sounds<\/span><\/i><span style=\"font-weight: 400;\">.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">The saxophone is a machine like another, and it is only by breathing <\/span><i><span style=\"font-weight: 400;\">life <\/span><\/i><span style=\"font-weight: 400;\">into it, that it becomes of human interest. When I began to explore the possibilities in the soprano sax in 1950, it was in almost total disuse. By now, due largely to the example and inspiration of John Coltrane, but also somewhat to my own efforts, this instrument is in full flower.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">Performance and composition are the two principal sides of my musical activities. Naturally, there is a constant feedback from one to the other. However, a musician is a sort of \u00abmedium\u00bb, and quite often, the work is done in a state of trance, and only afterwards, can one realise what has happened, especially in a music which deals in large doses of improvisation.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">This record contains two solo pieces, two more with celeste accompaniment, as well as two collages with background tapes.<\/span><\/p>\n<p><strong>Pinochle<\/strong><span style=\"font-weight: 400;\"> is a game of cards, enjoyed by the great pianist, Art Tatum. One of the most important \u00abplayers\u00bb in jazz, Tatum had an enormous influence on me, especially as virtuoso, self-contained, soloist. In the course of this interpretation, I quote from a standard tune that Tatum used to like to play (\u00abGet happy\u00bb by Vincent Youmans).<\/span><\/p>\n<p><strong>Straws<\/strong> <span style=\"font-weight: 400;\">was written when Igor Stravinsky died, but has not been played &#8217;til now. This version uses a single strand of the melody, superimposed on a tape I made of three clarinet players and two saxophonists (myself included), trying out reeds, in a room at the Vandoren Reed factory in Paris. The piece is a solemn blues with joyou&#8217;s interferences.<\/span><\/p>\n<p><strong>Hemline<\/strong> <span style=\"font-weight: 400;\">is a recent tune, dedicated to Janis Joplin, the rock star, who was a tragic swinger, and one of the more interesting of the \u00abnew style\u00bb ladies on the scene in the late 60&#8217;s.<\/span><\/p>\n<p><strong>Bound<\/strong> <span style=\"font-weight: 400;\">to Irene Aebi, my \u00abold\u00bb lady, whose voice I prefer to all others. This song (written in 1971), begins as a ballad, then turns blue (finally becoming grey and wise, at the and.<\/span><\/p>\n<p><strong>Feline<\/strong> <span style=\"font-weight: 400;\">(portrait of Marilyn Monroe). I wanted to capture the allure of the ordinary girl within the goddess, and the solitary space surrounding a \u00abstar\u00bb. The celeste was discovered in the studio. The pussy-cat improvisation was sipped through the saxophone, as if it were a straw.<\/span><\/p>\n<p><strong>The rise<\/strong><span style=\"font-weight: 400;\"> is built upon a tape recording of sounds from the construction of the, still unfinished, centre culturel de Beaubourg, in Paris. Five layers of soprano sax are added on, all of them, improvised. A sort of \u00ab poeme sonore \u00bb, it is dedicated to my good friend, Brion Gysin, the many-sided artist, who is himself, a \u00abrising star\u00bb.<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">Steve Lacy<\/span><\/i><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Audiophile pressing on black vinyl. Gatefold cover, including printed inner. Perfect replica of the original packaging (with additional translated liner notes) and newly remastered for optimal sound.<\/p>\n","protected":false},"author":1,"featured_media":182764,"template":"","meta":{"_acf_changed":false,"_uag_custom_page_level_css":"","advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":""},"product_brand":[],"product_cat":[31931,31895],"product_tag":[],"class_list":["post-167247","product","type-product","status-publish","has-post-thumbnail","product_cat-avantgarde-experimental-en","product_cat-jazz-rock-fusion-en","pa_artista-steve-lacy","pa_format-lp-en","pa_label-spaceistheplacedialogo-en","first","instock","purchasable","product-type-simple"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Steve Lacy - Straws \/ LP - BTF.IT<\/title>\n<meta name=\"description\" content=\"Audiophile pressing on black vinyl. 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