{"id":167661,"date":"2022-03-03T10:54:32","date_gmt":"2022-03-03T09:54:32","guid":{"rendered":"https:\/\/wrk.btf.it\/prodotto\/odessa-l-alba-della-civilta\/"},"modified":"2022-03-03T10:54:32","modified_gmt":"2022-03-03T09:54:32","slug":"odessa-l-alba-della-civilta","status":"publish","type":"product","link":"https:\/\/btf.it\/en\/prodotto\/odessa-l-alba-della-civilta\/","title":{"rendered":"L’alba della civilt\u00e0"},"content":{"rendered":"
Un grande ritorno per la prog band italiana ODESSA, atteso da tredici anni dal precedente “The final day – Il giorno del giudizio”, a ventitre anni dall’acclamato “Stazione Getsemani”.<\/span><\/span><\/span><\/strong><\/div>\n
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“L’alba della cività” <\/strong>mette in gioco tutte le migliori qualità già espresse dalla band marchigiana: straordinaria versatilità nelle sue dinamiche hard-progressive di matrice italian seventies<\/strong>, incursioni a tinte “purple”<\/strong>, disgressioni jazz di sponda Area<\/strong>, tratti romantici, ma soprattutto notevole brillantezza espressiva, ritmica e melodica.<\/strong><\/span><\/span><\/span><\/div>\n
Non a caso fra le cover già proposte dagli Odessa ci sono gli Area, il Rovescio della Medaglia, i Trip<\/strong>, e stavolta, a sorpresa, arriva “L’anno, il posto, l’ora 1972”, brano dei Pooh <\/strong>del periodo sinfonico “Parsifal”, con la particolarità dell’andare a proporre la versione mai finita ufficialmente nella loro discografia (esiste solo un vecchio documento live).
<\/span><\/span><\/span><\/div>\n
A capitanare la band c’è sempre Lorenzo Giovagnoli<\/strong>, il suo talento ed energia nel coniugare intensa vocalità e destrezza tastieristica (Hammond in gran spolvero<\/strong>), coadiuvato ormai da vent’anni da Giulio Vampa<\/strong> (chitarra), Valerio De Angelis <\/strong>(basso), Marco Fabbri<\/strong> (batteria, qualcuno lo ricorderà anche con The Watch e con la band di Giorgio Fico Piazza) e col pregevole ritorno di Gianluca Milanese<\/strong> (flauto, qualcuno lo ricorderà negli Aria Palea e altre importanti collaborazioni) che arricchisce il sound in modo decisivo, così com’era stato in “Stazione Getsemani”.<\/span><\/span><\/span><\/div>\n
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Otto brani, di cui due strumentali (tra cui “L’organista del bosco” dedicato alla memoria del pittore Silvano Braido<\/strong>, e al suo dipinto omonimo, che fu autore anche della copertina di “Stazione Getsemani”), una sequenza mozzafiato, dall’accogliente delicatezza introduttiva de “La stanza vuota” sino ai titoli di coda con l’ipnotica serenità di “Nell’etere”. In mezzo un avvincente rollercoaster emozionale di canzoni, atmosfere e straordinario interplay.
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Odessa, una band ritrovata…..in splendida forma !!!<\/strong><\/span><\/span><\/span><\/div>\n
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Track list<\/strong><\/span><\/span><\/span> (in provisional order):<\/span><\/span><\/span><\/p>\n

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  1. \n

    La stanza vuota<\/span><\/span><\/span><\/p>\n<\/li>\n

  2. \n

    Invocazione<\/span><\/span><\/span><\/p>\n<\/li>\n

  3. \n

    Di buio e luce parte seconda<\/span><\/span><\/span><\/p>\n<\/li>\n

  4. \n

    L’alba della civiltà<\/span><\/span><\/span><\/p>\n<\/li>\n

  5. \n

    L’organista del bosco<\/span><\/span><\/span><\/p>\n<\/li>\n

  6. \n

    L’Anno, il posto, l’ora 1972<\/span><\/span><\/span><\/p>\n<\/li>\n

  7. \n

    Rasoi<\/span><\/span><\/span><\/p>\n<\/li>\n

  8. \n

    Nell’etere<\/span><\/span><\/span><\/p>\n<\/li>\n<\/ol>\n<\/div>\n

    Total Time c.a. 43 min<\/span><\/span><\/span><\/p>\n
    <\/div>\n<\/div>\n<\/div>\n
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    A great return for the Italian prog band ODESSA, expected for thirteen years from the previous “The final day – il giorno del giudizio”, twenty-three years after the acclaimed “Stazione Getsemani”.<\/span><\/span>
    <\/span><\/span><\/strong><\/span><\/div>\n<\/div>\n
     <\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n
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    <\/span><\/p>\n
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    “L’alba della civiltà””<\/strong> shows all the best qualities<\/strong> already expressed by the Marches band: extraordinary versatility in its hard-progressive dynamics of Italian seventies sound<\/strong>, forays into “purple” way<\/strong>, jazz disgressions<\/strong>, romantic traits<\/strong>, but especially notable expressive<\/strong>, rhythmic and melodic brilliance<\/strong>.<\/span><\/span><\/p>\n
    <\/div>\n<\/div>\n
    \n
    It is no coincidence that among the covers already proposed by Odessa there are Area, Rovescio della Medaglia, Trip<\/strong>, and this time, surprisingly, comes “L’anno, il posto, l’ora 1972”, a song by Pooh of the symphonic period “Parsifal”<\/strong>, with the particularity of going to propose the version never officially finished in their discography (there is only an old live document).
    <\/span><\/span><\/div>\n
    The band is always captained by Lorenzo Giovagnoli<\/strong>, his talent and energy in combining intense vocals and keyboard dexterity<\/strong> (Hammond great protagonist<\/strong>), assisted for more than twenty years by the excellent Giulio Vampa (guitar<\/strong>), Valerio De Angelis (bass<\/strong>), Marco Fabbri (drums<\/strong>, someone will also remember him with The Watch and with the band of Giorgio Fico Piazza) and with the valuable return of Gianluca Milanese (flute,<\/strong> someone will remember him in Aria Palea and other important collaborations) who enriches the sound in a decisive way, as it was in “Stazione Getsemani”. Eight pieces, two of which are instrumental (including “L’organista del bosco” dedicated to the memory of the painter Silvano Braido<\/strong> and to his homonymous painting, which was also the author of the cover of “Stazione Getsemani”), a breathtaking sequence, from welcoming introductory delicacy of “La stanza vuota” up to the end credits with the hypnotic serenity of “Nell’etere”. In between, an exciting emotional rollercoaster of songs, atmospheres and extraordinary interplay.<\/strong>
    <\/span><\/span><\/div>\n
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    Odessa, a rediscovered band ….. in great shape !!!<\/span><\/span><\/strong><\/div>\n
     <\/span><\/div>\n<\/div>\n<\/div>\n
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    <\/div>\n

    Italian hard-prog band Odessa’s third album, “L’Alba della civiltà”, published by Lorenzo Giovagnoli and Loris Furlan’s Lizard Records.<\/span><\/span><\/span><\/p>\n<\/p>\n

    The album comes a long way after the acclaimed “Stazione Getsemani” (Mellow Records 1999) and “The Final Day” (Lizard and Andromeda Relics 2009) albums (see <\/span><\/span><\/span>https:\/\/odessazone.bandcamp.com<\/span><\/span><\/a><\/span><\/span>) and live activity in some of the finest international progfestivals and stages.<\/span><\/span><\/span><\/p>\n

    “L’Alba della Civiltà” takes its inspiration from the struggle between “Chaos” and “Harmony”, two opposite forces that dynamically fight in the making of human history.<\/span><\/span><\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

    CREDITS<\/strong><\/span><\/span><\/span><\/p>\n

    Produced and recorded by Lorenzo Giovagnoli<\/span><\/span><\/span><\/p>\n

    Mastered and mixed by Brendan Paolini<\/span><\/span><\/span><\/p>\n

    Lyrics, music and arrangements by Lorenzo Giovagnoli except <\/span><\/span><\/span><\/p>\n

    “La stanza vuota”, music by Giulio Vampa, Gianluca Milanese, Lorenzo Giovagnoli<\/span><\/span><\/span><\/p>\n

    “L’Anno, il posto, l’ora 1972”, music and lyrics by Valerio Negrini, Roby Facchinetti, Dodi Battaglia<\/span><\/span><\/span><\/p>\n

    \n

    Art Work by Lorenzo Giovagnoli except “L’Organista del Bosco”, by Silvano Braido<\/span><\/span><\/span><\/p>\n

    Artistic consultant: Loris Furlan<\/span><\/span><\/span><\/p>\n

    \n

    Musicians:<\/strong><\/span><\/span><\/span><\/p>\n

    Lorenzo Giovagnoli vox and keys<\/span><\/span><\/span><\/p>\n

    Giulio Vampa guitars and vox<\/span><\/span><\/span><\/p>\n

    Valerio De Angelis bass and vox<\/span><\/span><\/span><\/p>\n

    Marco Fabbri drums and vox<\/span><\/span><\/span><\/p>\n

    Gianluca Milanese flute<\/span><\/span><\/span><\/p>\n<\/p>\n

    Biography:<\/strong> considered as one of the most talented and exciting second wave progressive rock bands from Italy, Odessa have published two albums: “Stazione Getsemani” (Mellow Rec. 1999) and “Final Day – il giorno del giudizio” (Lizard and Andromeda Rec. 2009), plus the forthcoming “L’Alba della Civiltà” (Lizard Rec. 2022).<\/span><\/span><\/p>\n

    They have performed in many important national and international stages and collaborated with top artist Ian Paice (Deep purple).<\/span><\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

    Odessa L’alba della civilt\u00e0<\/p>\n","protected":false},"author":1,"featured_media":167659,"template":"","meta":{"_acf_changed":false,"_uag_custom_page_level_css":"","advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":""},"product_brand":[],"product_cat":[31877,31805],"product_tag":[],"class_list":["post-167661","product","type-product","status-publish","has-post-thumbnail","product_cat-italian-prog-cd-en","product_cat-italian-prog-en","pa_artista-odessa","pa_cataloging-indies_lizard-en","pa_format-cd-en","pa_label-lizard-en","first","instock","purchasable","product-type-simple"],"acf":[],"yoast_head":"\nL'alba della civilt\u00e0 - BTF Vinyl & CD Distributors and Producers<\/title>\n<meta name=\"description\" content=\"Odessa L'alba della civilt\u00e0\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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