“Imilla” is the fifth studio album by the Italian prog-rock band Il Bacio della Medusa, hailing from the town of Perugia; a record leaves back the electronic experiments of its predecessor \u201cSeme*\u201d and returns to the visceral and multifaceted rock sound that shaped most of the band\u2019s production stylistic code.<\/p>\n
Here we are facing a new concept album, based on a \u2018contemporary\u2019 topic and inspired by the figure of Monika Ertl, who took the name \u201cImilla\u201d when she joined the Bolivian revolutionary militia during the 60s and the 70s. Initially recorded in a mainly acoustic form, entirely conceived and composed by frontman Simone Cecchini, once proposed to the rest of the band, thanks mostly to the arrangements curated by Diego Petrini, \u201cImilla\u201d has finally changed into its current form, with progressive <\/em>and hard rock <\/em>tones, without however completely abandon its original folk <\/em>and Latin <\/em>nature.<\/p>\n In \u201cImilla\u201d, the band\u2019s 20-year old main core, consisting of Diego Petrini\u2019s sprawling and multifaceted percussion and keyboards, Federico Caprai\u2019s pounding bass, Eva Morelli\u2019s flutes and saxophones, delicate and sharp at the same time, and Simone Cecchini’s histrionic voice, perfectly combines with the new guitarist – Eva\u2019s younger brother – Andrea Morelli\u2019s biting and roaring riffs. The result is yet another excellent album from one of the most significant bands of the modern Italian prog-rock scene!<\/p>\n Papersleeve CD edition.<\/p>\n