{"id":202425,"date":"2025-04-01T19:03:39","date_gmt":"2025-04-01T18:03:39","guid":{"rendered":"https:\/\/btf.it\/?post_type=product&p=202425"},"modified":"2026-02-13T17:23:20","modified_gmt":"2026-02-13T16:23:20","slug":"solstitium-copia","status":"publish","type":"product","link":"https:\/\/btf.it\/en\/prodotto\/solstitium-copia\/","title":{"rendered":"Industria 2000"},"content":{"rendered":"
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Italy is a treasure trove of obscure and archival sounds. For decades, the products of its free-wheeling sonic cultures – spanning numerous musical genres – remained as sinfully overlooked, before being uncovered by devoted diggers and illuminated by numerous reissued initiatives. Recently, the Milan based imprint,\u00a0Dialogo<\/strong>, has led the charge into the shadows of Italy\u2019s past, releasing a steady stream of holy grails, from the astounding\u00a0Ennio Morricone<\/strong>\u00a0and\u00a0Bruno Nicolai<\/strong>\u00a0\u201cDimensioni Sonore<\/em>\u201d box set, issued in 2020, and a dedicated initiative to the work of\u00a0Piero Umiliani<\/strong>, to a slew of coveted albums from the legendary\u00a0Cramps<\/strong>\u00a0catalog, and that\u2019s only the tip of the iceberg. Their latest, the first ever reissue of \u201cIndustria 2000<\/em>\u201d, an astounding 1974 LP created by the legendary Italian pianist and composer,\u00a0Amedeo Tommasi<\/strong>, under the moniker\u00a0Jarrell<\/strong>, joins their recent reissues of \u201cEquinox<\/em>\u201d and \u201cSolstitium<\/em>\u201d, to launch Dialogo\u2019s broader initiative dedicated to the Italian arm of\u00a0RCA<\/strong>\u2019s legendary \u201cOriginal Cast<\/strong>\u201d series, one of the most coveted and rare bodies of library music ever laid to tape. Regarded by many to be among the best and most forward-thinking experimental efforts in the entire field, and among the only library records to have ever been offered the\u00a0Creel Pone<\/strong>\u00a0treatment, \u201cIndustria 2000<\/em>\u201d is an absolute marvel of wild, avant-garde electronics and synthesis, pushing toward glorious states of pure abstraction, threaded by unexpected anchors in pop. Issued in a beautiful, perfect replica highly limited vinyl edition, if ever there was a perfect introduction to the wonders of Italian library music, this is it!<\/p>\n

Resting within the vast expanse of visionary albums produced in Italy during the 1960s, ’70s, and ’80s, is the territory loosely categorised as Library music; recordings that were commissioned and owned by record labels, to be licensed for use within television programs, radio, and film, as stock. While Library music was produced in numerous countries during this period, nowhere was it more unique and groundbreaking than in Italy. Many of the country\u2019s most noteworthy composers – Ennio Morricone,\u00a0Piero Umiliani<\/strong>,\u00a0Egisto Macchi<\/strong>,\u00a0Bruno Nicolai<\/strong>,\u00a0Sandro Brugnolini<\/strong>, etc. – used the context as an aggregator of radical experimentation and creative freedom, as well as a means to deliver forward-thinking music to broad audiences. Long coveted by diggers, samplers, and beat makers, these albums collectively represent one of the great treasure troves of 20th Century recorded sound: vast in its breath and endlessly adventurous and unpredictable in realisations of creative ambition.<\/p>\n

Library music is notoriously mysterious. Its creators often worked in the shadows, with their music becoming far more familiar than the names of those who created it, something made that much more complex by the fact that composers often worked under numerous monikers and aliases, making it often impossible to know who truly made these astounding works. Among the most noteworthy of these figures was the pianist and composer, Amedeo Tommasi, who in addition to leading numerous, highly regarded jazz bands during the 1960s, and recording with artists like\u00a0Chet Baker<\/strong>,\u00a0Bobby Jaspar<\/strong>,\u00a0Ren\u00e9 Thomas<\/strong>,\u00a0Buddy Collette<\/strong>,\u00a0Conte Candoli<\/strong>, and\u00a0Jacques Pelzer<\/strong>, produced a large body of library music across the 1970s and ’80s under the names\u00a0Amedeo Forte<\/strong>,\u00a0Atmo<\/strong>,\u00a0Konnell<\/strong>,\u00a0Mantissa<\/strong>,\u00a0Silva Savigni<\/strong>, and Jarrell. It was under the latter alias that he created the 1974 LP, \u201cIndustria 2000<\/em>\u201d for RCA\u2019s now legendary \u201cOriginal Cast\u201d series. Over the years, this single gesture has become one of the most highly regarded experimental library records ever laid to tape, commanding eye watering prices on the secondary market.<\/p>\n

Comprising twelve tracks centred around the process of synthesises, \u201cIndustria 2000<\/em>\u201d is thematically rooted around the environments and work in a mechanised and industrial world. Rather than the here and now, it seems to project itself into some imagined future, and in so doing embodies this notion by presenting a totality of music that is often years ahead of time and stands almost entirely on its own within the field of 1970s creativity. Ranging from hypnotic, minimal pieces like \u201cMondo Industriale<\/em>\u201d that foreshadow the work of\u00a0John Carpenter<\/strong>\u00a0by a handful of years; to wild, complex electroacoustic gestures like \u201cIndustria 2000<\/em>\u201d, \u201cMeccanizzazione<\/em>\u201d and \u201cSala Macchine<\/em>\u201d that could easily be mistaken for the contemporaneous byproducts of experimental electronic studios like\u00a0Groupe de Recherches Musicales<\/strong>\u00a0GRM<\/strong>\u00a0or\u00a0Elektronmusikstudion EMS<\/strong>, the proto-industrial rhythmical textural assaults of \u201cEnergia Pesante<\/em>\u201d that prefigure numerous idioms of noise and underground electronic music by a decade or more, and wrenches thrown by pastoral, melodic pieces like \u201cLavoro Sereno<\/em>\u201d, and off-kilter, completely uncategorizable works like \u201cLavoro a Catena<\/em>\u201d. Once encountered in both its discrete moments and totality, there\u2019s little question why it made the cut and passed the rigorous criteria for inclusion in Creel Pone\u2019s incredible catalog of CDr reissues back in 2012.<\/p>\n

An absolute marvel that\u2019s remained almost entirely inaccessible on vinyl for decades, Jarrell\u2019s \u201cIndustria 2000<\/em>\u201d is a true visionary release, transcending the perceived bounds of Italian library music as one of the greatest experimental works in the entire canon, as well as one of the most definitive artefacts of Amedeo Tommasi\u2019s celebrated career. Joining Dialogo\u2019s broader initiative dedicated to the Italian arm of RCA\u2019s legendary \u201cOriginal Cast\u201d series, this beautifully produced, limited edition LP immaculately reproduces the original Italian press and marks it\u2019s first appearance on vinyl in roughly 50 years. An engrossing listen from the first sounding to the last, this is a holy grail moment for fans of Italian library music, and an inevitable revelation for anyone approaching it for the first time.<\/p>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Classic Italian library music from 1974, reissued on LP for the first time ever!<\/p>\n","protected":false},"author":37882,"featured_media":202417,"template":"","meta":{"_acf_changed":false,"_uag_custom_page_level_css":"","advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":""},"product_brand":[],"product_cat":[31931,31895,31811,31865,31935],"product_tag":[40636,40295,40743,40632,40734],"class_list":["post-202425","product","type-product","status-publish","has-post-thumbnail","product_cat-avantgarde-experimental-en","product_cat-jazz-rock-fusion-en","product_cat-library-music-en","product_cat-library-music-lp-en","product_cat-soul-funk-en","product_tag-easy-listening-en","product_tag-jazz-en","product_tag-jazz-funk-en","product_tag-latin-en-2","product_tag-stage-screen-en","pa_format-lp-en","pa_label-spaceistheplacedialogo-en","first","instock","purchasable","product-type-simple"],"acf":[],"yoast_head":"\nJarrell - Industria 2000 \/ LP - BTF.IT<\/title>\n<meta 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